When preparing for the first kill - and committing it - almost every shot will be close up, focusing on the similar actions between making the chemicals and using them - making match on action and flicking between the two. There will also be sounds edited in to make the chemical sound as if it is burning the victim's flesh. For our titles, we'll overlay them onto our two minutes and end with a physical neon sign saying 'TOXIC" and flickering in a pitch black room. We'll do this with zooming in on something black in a chemical shot, then zooming back out of the shot - expect the camera now comes from inside the 'O' of the toxic - and finally, the killer walks past.
Monday, 5 December 2016
Planning: Treatment For Our Film Opening
When preparing for the first kill - and committing it - almost every shot will be close up, focusing on the similar actions between making the chemicals and using them - making match on action and flicking between the two. There will also be sounds edited in to make the chemical sound as if it is burning the victim's flesh. For our titles, we'll overlay them onto our two minutes and end with a physical neon sign saying 'TOXIC" and flickering in a pitch black room. We'll do this with zooming in on something black in a chemical shot, then zooming back out of the shot - expect the camera now comes from inside the 'O' of the toxic - and finally, the killer walks past.
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